Assuming that everyone watches the television hit Friends as much as I do, I am going to talk a little about the show and one of the main directors in the later seasons. While listening to the Television Director Gary Halvorson commentary during a few great episodes on many popular shows, such as Friends, What I Like About You, and Two And A Half Men I found his signature filming style in which he captures his audience by creating a strong relationship with a conflict between two of the main characters. Halvorson knows how to create Comedy, Characters and Chemistry. He directed 55 episodes of Friends, throughout their eleven seasons. He also made a name for himself in the other shows, directing thirty-four shows for Two And A Half Men and ten for What I Like About You. By watching a few episodes of each series, I found his signature filming style in which he captures his audience by creating a strong relationship with a conflict between two of the main characters. Halvorson also uses a comedic twist and relevance where the audience is laughing while also relating to the situation. In addition, Halvorson chose actors, sometimes adding a special guest star, that brought a strong chemistry, in both looks and comedic style, all the while keeping the stage simple.
In his younger days, he started out as a pianist, and at the age of twenty he decided to switch gears when he saw a pianist on television, “they weren’t showing his face or his fingers at the right moment in the music,” he said during an interview. Gary felt that he needed to step in and create a different feel while music was being watched. Halvorson is a kind of director that is trying to have the audience see and at the same time understand his work. During the same interview he also said that if he thinks his mom will understand it, then his work is good enough to be on the screen and communicate with a ‘family’ audience. This not only shows that he is a family man but has good intentions for film. One of Gary’s signature marks that he tries to capture, are the transitions from scene to scene. He also has a number of episodes on the different shows he directors for with guest stars. There are a few that I will point out. Halvorson is known for introducing a number of different characters to the shows. He takes the original cast to blend in to add in another character without too much drama.
The thematic motifs that each show incorporates, is the recurring theme of conflict romance. Halvorson focuses on different facial expressions to help the audience get a feel for the characters emotions. He does this a lot in Friends, with the whole Ross and Rachel tangled web of love. The two Friends episodes I watched were in season 6, episode 13, “The One With Rachel’s Sister” and in season 8, episode 5, “The One With Rachel’s Date”. The common theme that the show pulls, from episode to episode, is it has a solid group of six friends that live in New York City; this is shown when scenes switch and where they are going to go next, either an apartment and/or coffee shop. If you ever followed Friends, each episode it mostly filmed in their apartments, the coffee shop- Central Perk, and/or someone’s work, also known as a multi-camera shot or an establishing shot, where the scene is established. This is different than in the later season, where the audience walks right into the coffee shop that they know and love. A number of directors use these shots to get a base of the storyline. What Halvorson does is combines the featuring actor in the upcoming shot and the establishing shot, using strong characters, simple scenes.
In the sixth season of Friends, guest star, Reese Witherspoon is introduced, by having all six main characters in the apartment, as there is a knock at the door. They all look around wondering who it could be because everyone they know is there, (several characters were shown counting). This was a creative way to introduce the character, adding a person who was going to be an important person through the episode. Halvorson uses a lot of headshots to create the feel of how the other characters are feeling. Also referring to Two and a Half Men, when Steven Tyler, the lead singer of Aerosmith made a guest appearance on the show in the episode “Who’s Vod Kanockers”. Halvorson introduced the singer starting as though the original staff was having a typical day with Charlie Sheen as Charlie Harper was sleeping on the porch. Steven Tyler shrieks his loud voice that he is so well known for. Halvorson uses his unique directing by keeping the cast while incorporating the new character. The camera angle shows the ‘importance’ of Steve Tyler’s character; Halvorson shows a low angle on Charlie’s perspective. Throughout the whole episode Steven Tyler shows his power over others. A camera angle that Halvorson used a lot was a high angle, to show a hierarchy of the characters that should be paid most attention to. In these episodes, Halvorson focuses on the ability to feature a character while making it the main theme throughout the show.
Comedy, Character and Chemistry are the textural elements that define Gary Halvorson. He uses romantic conflict, comedic timing and chemistry amongst the characters, all the while using simple sets and smart camera angles. It is obvious that Gary Halvorson’s successful style and delivery is a magnet to a large and diverse audience. His signature uses relevant comedy by using good-looking, witty actors with impeccable timing. Their romantic conflict situations are funny and boarder-line believable. While keeping the set simple and the same throughout each episode, the focus is on the character, chemistry and comedic content. Halvorson’s signature style undoubtedly has attracted a large viewing audience, hence why people are still watching reruns.
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First of all, I thought your title and how they corresponded with your theme (comedy, characters and chemistry) was a great way to write a blog. The only question I had was how much pull does he have over the episode? In my mind, I think of the director as just coming in and directing scenes that have already been written by the shows writers. If this is the case, how can a director who is directing a very popular show really have much pull on what is being shot? When the characters situations are already present in the show, can a director come in and change anything? Or is it all in the hands of the writers?
ReplyDeleteI thought the background information on Halverson was incredibly insightful. The clips that you add were also very helpful and a nice break in the blog.
I love the episodes you picked, as I have a similar taste in televison programs as your self. I was intrigued that the same director for Two and a Half Men and Friends also directed What I Like About You.
ReplyDeleteDo you think he directed Friends and Two and A Half Men with a different perspective as they are geared towards a more adult crowd versus the under 21 audience What I Like About you aims for?
Also, do you think he tries to direct episodes with guest stars, almost like a "specialty"?
I love that you pointed out his knack for comedic timing, that is definitely what makes all of these shows. Especially with Ross's awkward entrance, which he nevers fails to be awkward, and Charlie's brother (name is escaping my mind at the moment) attempting to calm him down as Steven Tyler continues to piss Charlie off.
Great insight!
Similar to Sam, I am an avid Friends and Two and Half Men watcher. I never realized that Halverson directed both of these great comedies!
ReplyDeleteYou explained that Halverson likes to develop programs with family audiences. For both programs, the audience seems to be more of a young adult or adult audience, as money, alcohol, sex (sometimes promisicuous), and relationships are often discussed. Do you Halvorson has indeed portrayed "family themes" if he discusses these topics in his programs? Do you think his target audience could have started off with a "family" audience and developed later in a more mature audience?
You seemed to start off in the "conflict" section about how characters show emotion in their facial expressions to represent conflict. You then switched to discuss establishing shots and common settings. For the "C" of conflict, how do establishing shots at common settings explain that there is conflict among the characters? Could establishing shots represent that although they will always love the other other characters, the common settings could also create conflict because there is never any change? (Perhaps this is why in the series finale many of the characters moved away from NYC and they were happy with the change.)
thanks sam! we do have similar taste in shows. for example today is monday so that means i will be seeing you on our couch and you will be filling me in on One Tree Hill and gossip girl!
ReplyDeleteI would say the audience that What I like About You is geared toward is obviously a younger female crowd whereas Friends has connect with an audience of all ages. I remember when I was in 4th grade I wanted to stay up and watch Friends, but 10 o'clock was cutting it too close to my bed time.
I liked your reference to the episode with Rachels sister knocking at the door and everyone counting to see if they were all there. It shows just how tightly knit they are and how they have cut off other people from their group.
ReplyDeleteI immediately picked up when you described his tendency to create flow during scene transitions. I know that in Friends and What I Like About You especially there are always shots of the skyline or apartment buildings. It's neat to make a connection between shows, I didn't even know he worked on What I Like About You. Good points!
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ReplyDeleteAs far as the blog goes, I really enjoyed reading about Mr. Halvorson. I have always had a great respect for people who can make comedies that the whole family can enjoy. I can also remember being a little kid and sitting around with my parents watching Friends. While sitting around a television is probably not the most constructive thing to do with your family, it was still an opportunity for me to hang out with my 'rents and laugh together.
His adding of guest stars and stuff is really interesting. In my experiences when a show starts to add new characters and have "A-list" guest stars it is usually an act of desperation to attract new viewers. Halvorson did this when both of his shows were still in their prime. Normally I would think that would risk taking away from the main characters story-lines. In Halvorson's case the new characters drive the already successful story-lines to new levels of awesomeness. I mean Steven Tyler and Charlie Sheen on screen at the same time!? It sounds like one of my mom's wildest fantasies.
It was also really interesting how as Friends became more and more popular he stopped using establishing shots for the Central Perk. You use the term "know and love" and that is exactly it, after people became familiar with the show it was unneccesary. I have watched a lot of Friends, and never caught that. Good Observation!
Loved the blog, keep it up and I am sure to keep reading!
I really enjoyed reading your blog about Halvorson and the shows he has produced because I am a huge fan of Friends and Two and a Half Men. Friends is definitely my favorite show on telivision(even though the show isn't producing new episodes), and I appreciated that you gave great insight and analysis into a few of the episodes. I remember the "The One With Rachel's Sister" and "The One With Rachel's Date", and definitely see the connection between the two episodes.
ReplyDeleteI agree that the shows he produces have a common theme of comedy and are geared toward a "family audience". I think shows like these are essential to have on television because it can bring families together. I always loved the guest stars on Friends too. I remember Reese Witherspoon, and loved when stars like Brad Pitt, Christina Applegate, Freddie Prinze Junior, David Arquette, etc. Great Job and thanks for a great post!